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CLASSICS, REINVENTED

The Denim Edit

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WELCOME TO THE DENIM EDIT — Look through anyone’s closet and you’re very likely to find a piece of denim in there. It’s a fan and designer’s favourite fabric for good reason—deceptively simple pieces that are technically complex to work with, but when you find your way around it, the result is often magic.

CLASSICS, REINVENTED

The Denim Edit

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WELCOME TO THE DENIM EDIT — Look through anyone’s closet and you’re very likely to find a piece of denim in there. It’s a fan and designer’s favourite fabric for good reason—deceptively simple pieces that are technically complex to work with, but when you find your way around it, the result is often magic.

Denim—from its humble beginnings as the hallmark of workwear to a classic wardrobe staple, it’s also the fabric from which many IN GOOD COMPANY (IGC) signature pieces have been born. As we explore the history of denim, we also go behind the scenes of The Denim Edit with Creative Director Sven Tan as he shares the inspiration behind these now-iconic pieces and picks out some of his absolute favourites.

Dating back to the 17th century, denim was created in Nîmes, France: a cotton twill cloth made of wool and silk, and later known simply as denim. Originally designed for heavy-duty and utility use, denim exploded in popularity in 1950's USA and evolved into the preferred look of celebrities and rockstars alike.

From classic blue jeans to denim jackets, skirts, and dresses, designers around the world are constantly reinventing denim, and pushing the boundaries of style. The beauty of denim lies in its ability to adapt to various treatments and finishes: whether you’re creating distressed, faded, or even an embellished aesthetic, the versatility of denim as a fabric allows designers, including IGC, to stretch their imagination while delivering clothing that is comfortable and durable.



When you mention the word ‘denim’, people almost immediately think: jeans, shorts and jackets. IGC’s approach is markedly different. Tell us why you love this fabric and if there are any particular challenges in working with it.

Sven: Every fabric has its own personality. Denim, in a way, is unique because unlike any other fabric it is able to transform itself completely with the different weight and washes to various uses and specific seasonality. Our initial challenge was to gain a good understanding of how to select and handle the fabric as the fabric is completely different before and after washing. It can be a steep learning curve just to get the right weight and wash, but through the years, we’ve gotten it right and have become somewhat experts at manipulating the fabric to get the look that we want.

“Aesthetically, we wanted a very different approach to how other contemporary brands would treat it and that it maintains IGC's design ethos of modern cut and drapes for a unique appeal and yet also easy to wear.”

Sven wearing ELWOOD Japanese Denim Pants in Black Denim.

Tell us about your design process when creating denim pieces.

Sven: We wanted it to be an important category of our collection because of its wide appeal and versatility so it was important to first obtain the various weights and washes we could apply for Singapore’s all-year tropical climate. Aesthetically, we wanted a very different approach to how other contemporary brands would treat denim and ensure that it maintains IGC's design ethos of modern cuts and draping for a unique appeal that remains easy to wear.

We noticed different types of denim being used across IGC pieces. We’ve seen Japanese denim, linen denim, and more. Can you tell us the unique characteristics of some of these denim blends you use, and your process in selecting the appropriate fabric?

Sven: We introduced about 4-5 varieties of denim for each collection. Each of them comes with different weights and washes and are used in different categories. For example, our classic 12 oz raw Japanese denim has dye and starches that makes them stiff and are used on trousers like the NASRY Japanese Denim Pants in our menswear collection, and jackets such as the HIRO Japanese Denim Jacket, that require the material to hold its structure well.

A popular denim of our recent collections is our 7.5 oz linen denim, which is considered very lightweight and breathable. They hang particularly well so they are treated with draped tops and dresses, like our HITARI Linen Denim Dress or the NINA Linen Denim Top, which are great for a tropical climate. Aside from indigo dyed, there are also washed bleach white and black denim that gives an alternative, cleaner look.


“Because our pieces are applied with different cuts and techniques, they are more complex when it comes to manufacturing.”

Were there any specific design or manufacturing techniques you employed to overcome any specific challenges in working with this fabric in order to create the desired aesthetic?

Sven: Because our pieces are applied with different cuts and techniques, they are more complex when it comes to manufacturing. Our denim is thus prewashed and treated with cut and sew instead of the conventional garment wash that is common with making jeans. All the samples are made and perfected in our design studio before being sent to our exclusive manufacturing facility in Jiangsu.

Do you have any personal favourites within The Denim Edit?

Sven: I think the linen denim dresses draped with the handkerchief hemline are great pieces to sport in this new line up. They are super easy and move really well, easy to dress up or down, depending on your mood and the occasion.




Explore IGC’s curated selection of denim pieces for both men and women in The Denim Edit, offering an array of meticulously crafted denim pieces, each boasting a unique story. From classic jackets that add a touch of je ne sais quoi to any outfit, to the perpetually popular statement denim skirts with its ultra feminine quality, you can shop the elevated denim pieces of your dreams at IGC. Time to retire the miniskirts and low-hung jeans!

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